Raising concerns over plans for Philharmonic’s “reimagining” of David Geffen Hall
In December 2019, New York Philharmonic and Lincoln Center for the Performing Arts publicly announced “Working in Concert,” a joint project for the “reimagination of David Geffen Hall.” The performance venue, known as Avery Fisher Hall for most of its 58 years, was designed by Max Abramovitz (1908–2004) and completed in 1962 as one of the original trio of Lincoln Center buildings fronting the plaza. The first thing that registered with many fans of the symphony’s hall upon seeing the plan was that the “Lippold” was not coming back. The Lippold being Orpheus and Apollo, the five-ton site-specific sculpture of gold toned Muntz metal bars suspended on 450 thread-like wires within the hall’s four-story, Grand Promenade atrium. Commissioned by Abramovitz and created by Richard Lippold (1915–2002) as an integral part of the hall’s original design, Lincoln Center announced in 2014 that the celebrated work was being “removed temporarily for maintenance and conservation.”
DOCOMOMO US/New York Tri-State’s position is that several aspects of the proposed public spaces redesign eliminate or substantially alter defining elements of the original design and are therefore inappropriate and should be reconsidered.